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Jazz Age Christmas Mysteries

A Christmas historical mystery series set in Prohibition-era Chicago.

This is not the speakeasy from the movies. No chrome, no chorus girls, no gangster in a white tuxedo.

The Velvet Hour is two warm rooms at the top of a narrow stair on Rush Street, hidden above a flower shop, furnished out of estate sales and lit like somebody’s grandfather’s club. The flashy joints got raided. This one simply kept going — and kept its people. Joseph behind the bar. Mrs. Birch in the kitchen. Della on the little stage. The regulars who climb those stairs because there is nowhere else in Chicago that feels like home.

Every book turns on a single Christmas at the top of that stair, and on one person who has to put something right before the season ends. A different pair of eyes each time — ordinary people with no badge, no authority, and nobody to send for. Only what they notice, and the people they’ve stopped pretending were ever just coworkers.

Prohibition-era Chicago. Snow on the windows and a clock ticking under it. Found family, hard winters, and a great deal of heart.

Each book stands on its own. Start anywhere.

And as a special treat for newsletter subscribers, there are years of Christmas Eve short stories about The Velvet Hour and what happens at the top of the stairs. If you’d like to subscribe and start reading, just click here.

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Comparable authors

Readers who enjoy the historical mysteries of Rhys Bowen will feel at home at the top of the stair — ordinary people with no badge and no authority, solving what no one else will, in a city shaped by crime, corruption, and the immigrant communities the history books skim past. Each book turns on a different pair of eyes, but the question never changes: what do you owe the people you work beside?

Fans of Hazel Gaynor and Susan Meissner’s emotionally rich historical fiction will find the deeper story underneath — grief carried quietly, families made rather than inherited, and women discovering what they’re capable of in the season that asks the most of them.

The women who ran the loud rooms

The Velvet Hour is invented. The world it hides in was not. For a decade the most famous nightlife in America belonged to women — Texas Guinan, who insulted her customers into loving her; Helen Morgan, who sang from the top of a piano because the room was too crowded for a stage; Belle Livingstone, who sold Park Avenue an annual membership and got it.

Theirs are the speakeasies most readers picture when they hear the word. Two warm rooms above a flower shop are the other kind — the ones nobody thought worth raiding, and the ones still open when the chrome went dark. Meet the queens of the speakeasies.

These stories belong to a larger body of work about women at the edge of transformation. Read more about the thread running through all of it in The Cost of Becoming.

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